I became fascinated by the constant religious references used by many of the people interviewed in the documentary to describe and explain the Grateful Dead phenomena: attending a Dead concert was a religious experience, Jerry Garcia was a prophet, a Messiah, a shaman, the audience at the shows were organized like a mandala […]The Grateful Dead, and Jerry Garcia in particular embraced the winds of change and created a band that reflected an utopian, egalitarian, decentered, unstructured way of making music. Their music, in many ways was not only an artistic statement, but also a reflection of their own social and political views. They played as they lived. And Jerry Garcia became the unofficial priest of a small but powerful movement that began to sweep America for almost three decades.